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I now have a tightly crumpled ball of paper in my hand. No longer planar, the 8 1/2 by 11 inch sheet of paper on which the timeline is inscribed is now folded, twisted and turned into itself. Points in time once separated by great distances now touch one another. (Examples forthcoming...)This folded, nonlinear, temporal net is representative of archaeological time. Why must we work out the creases and folds? Why do we fill in the gaps?
I will offer an example through new media. I.D. magazine recently published an article on one of the XFR: eXperiments in the Future of Reading exibits, The Reading Wall. The medium of The Reading Wall was explicitly connected to particular ancient contexts of reading such as that of Egyptian heiraglyphic wall inscriptions. I also recently attended a presentation by Anne Balsamo in Stanford's Critical Studies in New Media workshop where she connected the Reading Wall more specifically to community reading contexts in the Athenian agora. The point is that a material context from the 5th Century B.C. folds into the design 21st century media. This is the nature of material connection.
I will continue to muse over this...
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