APPENDIX:  MOVEMENT IN REPRESENTATIONS OF PROCESSIONS

Left to right movement
L1.	Thebes “procession fresco” (Reusch 1956).
L2.	Wall painting; procession associated with the “Lady with the Lily”, Mycenae (Kritseli-Providi 1982: Γ-1, 73-6, fig. 8, pls. B and 24; Immerwahr 1990: no. My. No. 5).
L3.  	Wall painting; procession of genii, Mycenae (Immerwahr 1990: My. No. 8).
L.4.	Wall painting; procession associated with the “White Goddess”, Pylos (Lang 1969: 49 H nws).
L5.  	Wall painting; procession associated with the “Cupbearer”, Pylos (Lang 1969: 
60 H nws).
L6.  	Wall painting; procession associated with the “priestess”, Pylos (Lang 1969:  50 H nws).
L7.  	Wall painting; male figures in procession, Pylos (Lang 1969: 35 H 2.).
L8.  	Wall painting; male figures in procession, southwest of doorway of Room 6, palace at Pylos (Lang 1969: 45 H 6).  
L9. 	Wall painting; male head, life-size, possibly from a procession, from Outer Propylon 1, Pylos (Lang 1969: 46 H 1).
L10.	Wall painting; procession of smaller sized women, Inner Forecourt, Tiryns (Rodenwaldt 1912: 18, no. 23, pl. II, 10).
L11. 	Wall painting; possible procession (two female heads, both right profile), Building H, Gla (AR 1984-5: 31, fig. 41). 
L12.	Procession associated with the wall painting showing a woman carrying a griffin (Kritseli-Providi 1982: A-6, 28-33, pls.B and 2α) (this interpretation is highly speculative).
L13.	Seal impression – gold ring from the “Acropolis Treasure”, Mycenae; possible cult scene of females processing towards a “seated goddess” (CMS I, 17).
L14. 	Seal impression – gold ring from CT55, Mycenae; women in procession towards a “shrine”(CMS I, 86).
L15 	Seal impression – gold ring from CT71, Mycenae; women in procession towards a “shrine” (CMS I, 108).
L16. 	Seal impression – sealstone from CT 103, Mycenae; women in procession (CMS I, 132).
L17. 	Sealing from House of the Oil Merchant, Mycenae; women in procession (CMS I, 162).
L18a and b. 
Sealing, from slope above House of the Wine Merchant, Mycenae; men in procession (CMS I, 170; two examples from the same context, made by the same ring).
L19. 	Seal impression – gold ring from “Tiryns Treasure”; procession of supernatural “demons” towards a “seated goddess” (CMS I, 179).
L20. 	Seal impression – gold ring from CT10, Dendra; women in procession towards a “shrine” (CMS I, 191).
L21. 	Cylinder seal impression from Tholos 2, Routsi; basic motif is a helmeted male figure and griffin (CMS I, 285).
L22. 	Sealing, Room 105, palace at Pylos; women in procession towards a “seated goddess” (CMS I, 361).
L23. 	“Warrior Vase” (Vermeule and Karageorghis1982: 132-4, 222, no. XI.43.  Immerwahr 1990: My. No. 21, pl. 84).
L24.	“Tiryns Parasol Krater” (Crouwel 1976: pls. 8a-c Side A; pl. 8b Side B).
L25. 	“Mycenae Parasol Krater” (Crouwel 1973; Crouwel 1976: pl. 8b).
L26.  	Conical rhyton, Tiryns; procession of male figures (Vermeule and Karageorghis 1982: no. IX.15).
L27.	Fragmentary krater; procession of female sphinxes, possibly associated with a chariot, followed by a female figure, possibly with a child (Güntner 2000: Motiv Wagen 15).
L28.	Tanagra larnax; two men and a bird (Immerwahr 1965: 130-1, no. 5, pl. XXVIII).

Right to left movement

R1.	Wall painting; Vestibule procession, Pylos (Lang 1969: 5-15 H 5; Immerwahr 1990: Py. No. 8).
R2.   	Wall painting; procession of men, Pylos (Lang 1969: 54-59 H nws).
R3.	Wall painting; men and dogs in hunt scene, Pylos (Lang 1969: 17, 19-20 H 43, 13 C 43).
R4.   	Wall painting; woman with flowers, possibly part of a procession, found outside palace, Pylos (Lang 1969: 41 H sw).
R5.  	Wall painting; figure interpreted by Lang as a woman, although I believe it is a “genius”, possibly part of a procession, found outside palace, Pylos (Lang 1969: 40 H ne).
R6.  	Wall painting; male processional figure, Corridor 13, Pylos (Lang 1969: 47 H 13).
R7.  	Wall painting; head of woman, possibly from a procession, Pylos (Lang 1969: 52 H nws).
R8. 	Wall painting; procession associated with figurine offering, Mycenae (Kritseli-Providi 1982: B-2 and 3, 41-4, pl. 6; Immerwahr 1990: no. My No. 4). 
R9.	Wall painting; procession associated with the Mykenaia, Mycenae (Kritseli-Providi 1982: B-1: 37-40, pls. Γ.4-5; Immerwahr 1990: no. My. No. 3, Jones 2003).
R10. 	Wall painting; small scale procession, Mycenae (Lamb 1921-3: 168-9, no. 9, pl. XXVIII, p).
R11. 	Wall painting; “palanquin” procession, House of the Oil Merchant, Mycenae (Wace 1953: pl. 9a.)
R12.  	Wall painting; possible procession, Argos (AR 1978-9:13-4, fig. 14). 
R13.	 Wall painting; women in funerary procession, Tomb I, Megalo Kastelli, Thebes (ADelt. 27B (1972): 309-312, Pls. 253:b-c, 254, 255).
R14.	Seal impression – sealstone from acropolis, Mycenae; schematic male figures in procession (CMS I, 42).
R15. 	Sealing, Room 98, Pylos; women in procession (CMS I, 313).
R16.	Fragment of gold vessel, Peristeria; three young men and boys (AR 1965-6; Hägg 1982: 32, fig. 11; Hood 1978: 164, 166).
R17. 	Collar-necked jar from Tiryns; chariot race (Vermeule and Karageorghis 1982: no. XI.19.1).
R18.	Two fragments of a krater, men in procession (Güntner 2000: Motiv Mensch 18, 33-4, pl. 12,7).

Both directions

B1.	Tiryns “procession fresco” (Rodenwaldt 1912: nos. 71-111, figs. 27-34, 37, pls. VIII-X).
B2.	Wall painting; fragmentary procession/s, Mycenae (Lamb 1921-3: 166, nos. 6-8, pl. XXVVIII, a-b).
B3.	Wall painting; “procession fresco” from north-west plaster dump. Pylos (Lang 1969: 51-53 H nws).
B4.	Tanagra larnax; female processions (Cavanagh and Mee 1995: no. 9).
B5.	Tanagra larnax; female processions (Vermeule 1965: 129, no. 3, pls. XXVb, XXVIIa, b).

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