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Part of an exploration of archaeo-graphical sensibilities - the convergence of archaeology and photography

[link] - the photoblog | [link] - the class | [link] - the notes

Some archaeological sensibilities at the heart of archaeography - see the notes archaeology and photography and the photoblog - http://archaeography.com

abjection | entropy and ruin | actuality | sense of place | this happened here | at a scene of crime anything might be relevant | figure and ground | what comes after the event | what becomes of what was | materiality documented | uncanny non-absence | displacement | is this us? | mis-en-scène | sorting things out | surreal juxtapositions | stratigraphy | anthropometrics | archive | aura | authenticity | connoisseurship | depths | documents | fieldwork | garbology | memory | museology | (ancient) monument | objective objects | origins | scavenging | surfaces | symptomatics | topography | topology | trauma


Cadieux - somatic materiality as landscape

Matta-Clark - chopping up buildings - entropy, architecture, de-struction, dis-placement

Casebere - uncanny non-absence

Hockney - actualities

Burgin

futurism -

spectral presences - images of ghosts

Sharp - monuments in a traditional landscape genre

Seawright - this happened here

Seawright II - the materialitiers of power and identity

Ross - museology

Reas -

physiognomy -

O'Donnell - surreal mis-en scène

Pen-y-gaer - topography

Morell

Mohr and Berger - photo documentary, photojournalism, ethnophotography

Konttinen - photoethnography and classical documentary photography

Jodice - landscapes and monuments

Frost what landscape has become

Gibson - media materialities

antiquarian avant-garde

instrumentalities - modes of engagement

Brandt

Barth - something is missing, at a scene of crime ...

Beny - classic landscapes and monuments

Crime Album Stories -- a vintage criminology album juxtaposed with the author's short stories

Scene of the Crime, LAPD -- images from the LAPD archives

Film Noir -- crime scenes meet Hollywood

Gottlieb -- the aesthetics of abandonment and ruin

Fitch -- ditto

Atget -- photographing the place-event

Burtynsky -- site photography of sheer scale and monumentality

Peress -- artifacts as memory as evidence as display

Parr -- Britishness (particularly class) as artifact

Mandel and Sultan -- photographs as evidence of scientific advances

Scene of the Crime, Exhibition -- the aesthetics of the trace

Scene of the Crime, Exhibition II -- traces speak through/upon the body

Scene of the Crime, Exhibition III -- the event itself (is there such a thing?) is -- ultimately and resolutely -- inherently fleeting

Hamm -- war ruins as lieux de memoire

Sternfeld -- memories as narratives upon the landscape

Sternfeld II

Brouws -- the materiality of words inscribed upon the landscape

Christenberry -- sites of memory re-constituted and re-imagined

Police Pictures -- scenes of the crime (or, shoes on the corners of the scene)

Police Pictures II -- the body is the scene of the crime

Hofer -- photographing empty (?) spaces

Cornelia Parker -- artifacts as the locus of memory

Boltanski -- excavating the disappeared, the invisible, the lost

Wheeler -- photography meets archaeology, ca. 19th century

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