Key Pages
- |Changes [Feb 26, 2009]
The camera
[link] - the photoblog | [link] - the class | [link] - the notes
Some archaeological sensibilities at the heart of archaeography - see the notes archaeology and photography and the photoblog - http://archaeography.com
abjection | entropy and ruin | actuality | sense of place | this happened here | at a scene of crime anything might be relevant | figure and ground | what comes after the event | what becomes of what was | materiality documented | uncanny non-absence | displacement | is this us? | mis-en-scène | sorting things out | surreal juxtapositions | stratigraphy | anthropometrics | archive | aura | authenticity | connoisseurship | depths | documents | fieldwork | garbology | memory | museology | (ancient) monument | objective objects | origins | scavenging | surfaces | symptomatics | topography | topology | trauma
Cadieux - somatic materiality as landscape
Matta-Clark - chopping up buildings - entropy, architecture, de-struction, dis-placement
Casebere - uncanny non-absence
Hockney - actualities
futurism -
spectral presences - images of ghosts
Sharp - monuments in a traditional landscape genre
Seawright - this happened here
Seawright II - the materialitiers of power and identity
Ross - museology
Reas -
O'Donnell - surreal mis-en scène
Pen-y-gaer - topography
Mohr and Berger - photo documentary, photojournalism, ethnophotography
Konttinen - photoethnography and classical documentary photography
Jodice - landscapes and monuments
Frost what landscape has become
Gibson - media materialities
instrumentalities - modes of engagement
Barth - something is missing, at a scene of crime ...
Beny - classic landscapes and monuments
Crime Album Stories -- a vintage criminology album juxtaposed with the author's short stories
Scene of the Crime, LAPD -- images from the LAPD archives
Film Noir -- crime scenes meet Hollywood
Gottlieb -- the aesthetics of abandonment and ruin
Fitch -- ditto
Atget -- photographing the place-event
Burtynsky -- site photography of sheer scale and monumentality
Peress -- artifacts as memory as evidence as display
Parr -- Britishness (particularly class) as artifact
Mandel and Sultan -- photographs as evidence of scientific advances
Scene of the Crime, Exhibition -- the aesthetics of the trace
Scene of the Crime, Exhibition II -- traces speak through/upon the body
Scene of the Crime, Exhibition III -- the event itself (is there such a thing?) is -- ultimately and resolutely -- inherently fleeting
Hamm -- war ruins as lieux de memoire
Sternfeld -- memories as narratives upon the landscape
Brouws -- the materiality of words inscribed upon the landscape
Christenberry -- sites of memory re-constituted and re-imagined
Police Pictures -- scenes of the crime (or, shoes on the corners of the scene)
Police Pictures II -- the body is the scene of the crime
Hofer -- photographing empty (?) spaces
Cornelia Parker -- artifacts as the locus of memory
Boltanski -- excavating the disappeared, the invisible, the lost
Wheeler -- photography meets archaeology, ca. 19th century