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August 30, 2007

Presence Interviews online

The Presence Project Collaboratory now incorporates more than a dozen extensive discussions with contributing artists now available through the Collaboratory, including:

Marianne Weems http://presence.stanford.edu:3455/Collaboratory/831

Mike Pearson and Mike Brookes http://presence.stanford.edu:3455/Collaboratory/1120

Fiona Templeton http://presence.stanford.edu:3455/Collaboratory/1101

Phillip Zarrilli http://presence.stanford.edu:3455/Collaboratory/1143

A full directory of these discussions of presence, performance and visual art is available at our Presence research grouping, available on the Collaboratory at http://presence.stanford.edu:3455/Collaboratory/493

Our most recent posted discussion is with Tim Etchells:

I don’t know if there is such a thing as simply ‘being there,’ just being present. Being present is always a kind of construction. Perhaps we could think of presence as something that happens when one attempts to do something, and whilst attempting to do that thing you become visible; visible in not quite succeeding in doing it, visible through the cracks or the gaps. (Tim Etchells, Presence Project Interview)

Our interview with Tim is now avaliable online through the Collaboratory at http://presence.stanford.edu:3455/Collaboratory/646

Recorded by Gabriella Giannachi and Nick Kaye following Tim's Presence Project workshop, 'Presence and Absence Intertwined,' our discussion ranges over Forced Entertainment's live performance, digital and installation work, as well as the company's collaborations with the photographer Hugo Glendinning.

Throughout, Tim considers the constructions of performer presence that animate the company's work, as well as the work of other influential artists including The Wooster Group and Peter Handke.

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courtesy Tim Etchells

Reflecting on the impact of new technologies on the construction and performance of presence, Tim notes:

One of the things we do as readers of signs and situations - and of all things - is that we respond to absences - and we fill absence. So, you know, the way the telephone makes us imagine the whole person, the way that in text chatting - instant messaging - in writing, you sort of spend time with other people but you are not in the same room as them. And because it’s purely in that sense, because it’s purely language, there is a huge role for you in mentally unpacking what’s written or, in the phone, unpacking what’s said, to create people.

As we look forward toward beginning year 3 of the project, we will be significantly extending the Collaboratory resource, incorporating video documentation, publishing a wide range of interviews and significantly developing our core investigations.

We welcome contributions and enquiries - details of contributing to the Presence Project Forum are at http://presence.stanford.edu:3455/Collaboratory/1095


December 9, 2005

Discussing SUPER VISION in New York

I have just returned from New York and the BAM performances of The Builders Association and dbox's SUPER VISION.

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The BAM Harvey Theatre is an extraordinary performance space.

Saved from dereliction, the interior fabric of the building has been preserved in a revelation of the interior structures, materials and surfaces that frame a state-of-the-art 900-seat theatre.

To this The Builders Association and dbox have brought a precise and spectacular synthesis of virtual scenic architecture, video, sound and theatre design, with live, mediated and recorded performance.

Interweaving three stories, SUPER VISION is a complex visual and musical exploration of the 'data body,' the shaping of presence and identity in the data stream continually constructed around us.

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During the six days of my visit, I was able to record interviews with Marianne Weems of The Builders Association and James Gibbs of dbox, as well as eleven company members and associates.

Along with Marianne and James, I was able to talk with Moe Angelos, Kyle deCamp, Constance DeJong, Dan Dobson, Peter Flaherty, Allen Hahn, Stewart Laing, Rizwan Mirza, David Pence, Tanya Selveratnam, as well as Norman Frisch who has collaborated with the company on past projects.

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SUPER VISION emerged out of the collaboration of many artists and contributors, full details of which are available through the SUPER VISION website at http://www.superv.org

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The agreed, edited transcriptions of these recordings will form the basis of a documentation and exploration of SUPER VISION and the process of its development.

Forming one of the key projects within the Presence Collaboratory at http://presence.stanford.edu:3455/Collaboratory/339, this process will also explore the collaborative, online documentation of performance.

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For me, this has been a unique opportunity to discuss in detail the process and realisation of a performance that crosses disciplinary boundaries and has been evolved in a close and intensely creative collaboration between all aspects of its production.

Details of tour dates for SUPER VISION are available at http://www.superv.org

The Builders Association are at http://www.thebuildersassociation.org/flash/flash.html?homepage

dbox are at http://www.dbox.com/


October 26, 2005

The Builders Association and dbox, SUPER VISION in New York

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Image by dbox

In December, we will begin our first extended documentation through the Collaboratory.

SUPER VISION has been created by The Builders Association and dbox as a major cross-media project embracing multi-media performance, digital animation, new video techniques, electronic music and an architectural set.

Engaging with a 'post-private society,' the performance explores the negotiation of identities and presence in the contemporary production and circulation of data.

Our work will focus on performances of SUPER VISION at the Brooklyn Academy of Music in New York, before its wide-ranging international tour, and will be the beginning of an extended collaboration with The Builders Association through the Presence project.

It's a tremendous opportunity for us - our documentation is being developed on the Collaboratory project pages http://presence.stanford.edu:3455/Collaboratory/339

The Builders Association website http://www.thebuildersassociation.org provides details of the touring schedule of SUPER VISION in 2006-7, as well as an animated trailer and project details.

dobox are at www.dbox.com,

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