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February 21, 2006

WHO ARE YOU LOOKING AT?: Pearson/Brookes Workshop in Exeter 8 March

On 8th March Mike Pearson and Mike Brookes will conduct the second of our Presence workshops in Drama's newly opened Alexander Building at Exeter.


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Pearson/Brookes/Thomas:who are you looking at?

Since 1997, Mike Pearson and Mike Brookes have created a series of
productions that proposed new strategies within the form, function and
placement of performance in work employing a variety of media, from radio broadcast to
surveillance CCTV.

In this workshop, which includes audio and video material
from several of their recent multi-site works, they examine the implications
of these strategies for notions of presence and absence, for both performers
and spectators alike. They reflect upon their working practices, new forms
of dramaturgy, the shifting role of audience, reorientations in the
technique of the performer, and questions of documentation. Pearson and
Brookes will show previously little seen material including graphic
representations of their performance scenarios, footage from projects in
Germany and west Wales, and the experimental DVD-ROM of their performance
work Carrying Lyn. The presentation will be informal, with an opportunity
for discussion.

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Pearson/Brookes/Thomas:who are you looking at?

Pearson and Brookes have worked together since 1997. In 2002 they began a
long-term though irregular relationship with Welsh playwright Ed Thomas.
Their regular performer/collaborators include John Rowley, now working with
Forced Entertainment, and Richard Morgan and Paul Jeff of Good Cop Bad Cop.

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Pearson/Brookes: polis

Mike Pearson is Professor of Performance Studies in the Department of
Theatre, Film and Television Studies, University of Wales, Aberystwyth. He
was a director of Cardiff Laboratory Theatre (1973-80) and Brith Gof
(1981-97). His main interests are in devised performance and site specific
work. He is the author with Michael Shanks of Theatre/Archaeology (2001,
Routledge), and of ŒIn Comes I¹: Performance, Location and Landscape
(University of Exeter Press, forthcoming)

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Pearson/Brookes: polis

Mike Brookes is an artist and designer, working primarily as a painter and
performance maker. His design work has engaged both graphic and time-based
media; and his collaborations with performance companies such as Brith Gof,
The Magdalena Project, Earthfall, and Quarantine, have resulted in a wide
spread reputation for his activities as a lighting and production designer.

Audience places at the workshop are free of charge and can be reserved by contacting Linda Dowsett at l.m.dowsett@exeter.ac.uk

Further information on work by Mike Pearson and Mike Brookes is available through the Performing Presence Collaboratory here http://presence.stanford.edu:3455/Collaboratory/343 and in our earlier weblog entry at http://traumwerk.stanford.edu/presence/2005/11/pearsonbrookes_presence_worksh.html

Mike Brookes' website is at http://www.mikebrookes.com/

Images from who are you looking at? Pearson/Brookes/Thomas.
Images of polis Gerald Tyler.
Images courtesy Mike Brookes.

Future presence workshops at Exeter will be conducted by:

Vayu Naidu: 22 March
Phillip Zarrilli and Klaus Seewald: 10 May
Fiona Templeton: 24 May
Bella Merlin: 21 June

February 1, 2006

Presence and Absence Intertwined: Tim Etchells Workshop 15 February

Tim Etchells’ Presence Workshop will take place on 15 February 12.30-4.30, in Drama’s newly opened Theatre Studios at Thornlea, University of Exeter.

All our workshops are free and open to a public audience. To reserve an audience place please e-mail: l.m.dowsett@exeter.ac.uk

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Photo courtesy Tim Etchells

The workshop will be divided into two parts. In the first Tim will lead a small group of students in a series of practical exercises. Based on simple rules and performance tasks these will provide a starting point for discussion about how we construct our own presence and that of others and how rules, situations, space and language itself function as the frames through and in which we appear.

The second part of the session will be more in the form of lecture-demonstration. Tim will use examples from his own practice and that of other artists to expand on the ideas begun in part one, continuing to focus on the ways that limits, frames around and confusions to presence are a key part of its manifestation.

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Forced Entertainment, Exquisite Pain (2005)
Photo Hugo Glendinning, courtesy Forced Entertainment.

Tim is best known for his work as artistic director and writer of the performance ensemble Forced Entertainment, based in Sheffield UK and working together since 1984. He has also created diverse projects of his own in a variety of media including SMS, video and installation.

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Forced Entertainment, Exquisite Pain (2005)
Photo Hugo Glendinning, courtesy Forced Entertainment.

He has collaborated with other artists in many disciplines including the photographer Hugo Glendinning, the choreographer Meg Stuart/Damaged Goods and visual artists Vlatka Horvat, Franko B and Asta Groting. Under his direction, Forced Entertainment have toured widely in mainland Europe and beyond and have made projects that span theatre, durational performance, and other media. Recent Forced Entertainment projects include 'Bloody Mess' a darkly comical rocktacular collage, 'First Night', a disastrous vaudeville and 'Who Can Sing A Song To Unfrighten Me?', a performance of 24 hours duration.

Tim has written widely about performance and contemporary culture, and has published three books: 'The Dream Dictionary' (Duckworth 2001); 'Endland Stories', (Pulp Books 1999); and 'Certain Fragments' - a collection of theoretical writing and performance texts (Routledge 1999).

Tim is currently a Creative Research Fellow in the Department of Theatre Studies, Lancaster University.

Full details of the Performing Presence workshop series are available at http://www.projects.ex.ac.uk/performing-presence/events.php

Forced Entertainment’s website is at http://www.forcedentertainment.com

Gabriella Giannachi’s notes on Tim Etchells and Forced Entertainment are on the Collaboratory at: http://presence.stanford.edu:3455/Collaboratory/306

See also our previous weblog entry http://traumwerk.stanford.edu/presence/2005/11/tim_etchells_presence_workshop_1.html

Future workshops in the series will be conducted by:

Mike Pearson and Mike Brookes: 8 March
Vayu Naidu: 22 March
Phillip Zarrilli and Klaus Seewald (date tbc)
Fiona Templeton (date tbc)
Bella Merlin: 21st June

More to come….